Find Your David

Five ways to show up directly inside the territory that makes the fight feel real.
Find Your David

This tactic takes the fight somewhere it cannot be dismissed: into the institution that protects the problem, the cultural arena where it feels most entrenched, the social situation where it causes the most anxiety or the territory where the obstacle is at its strongest.

The enemy might be systemic, physical, cultural or emotional. David might be an activist entering a police station, a woman walking confidently into the bathroom at her boyfriend’s house, an underestimated community serving Washington lawmakers or a fisherman fighting a bear for the best salmon. The tone can shift from righteous to ridiculous. The strategic move does not. David wins by entering the belly of the beast and confronting the strongest, most recognisable version of Goliath on its own ground. Here are five tactics from the Enemy Engine to take the fight into the enemy’s world.

  1. The Symbolic Stand
  2. The Lair
  3. The Product That Opens the Door
  4. The Underestimated Protagonist
  5. The Dispatched Champion

1. The Symbolic Stand

Place a physical challenger in front of a cultural icon of the enemy.

Fearless Girl — State Street Global Advisors, McCann, 2017, USA

The Wall Street Charging Bull had stood since 1989 as shorthand for financial power, masculine aggression, and institutional dominance. State Street Global Advisors and McCann placed a small bronze statue of a girl directly in front of it — hands on hips, chin up. The brief was gender diversity in corporate leadership. The execution didn't argue the case. It staged it. A girl facing down a bull in the bull's own street, on the bull's own terms. Courage was redefined not as charging but as standing still. The statue became one of the most photographed and shared images in advertising history because the confrontation was immediately, physically legible to anyone who saw it..


2. The Lair

Enter the enemy's own operating territory and let his systems, rituals or rules produce the argument.

Please Arrest Me — Rit Foundation, Ogilvy, 2020, India

In India, 2 in 3 women experience marital rape, which is not classified as rape under Indian law and therefore carries no criminal penalty. The Rit Foundation and Ogilvy wanted to raise awareness of this. To do so, they teamed up with an activist who walked into a police station, sat down, and confessed to marital rape on camera. The cameras followed as officers confirmed he had committed no crime and was free to go. The police station — the institution whose job is to protect victims — became the stage where its own failure was demonstrated in real time. The documentary caused sufficient impact that the Delhi High Court agreed to hear the case for outlawing marital rape.

Home Is Not A Boxing Ring confronted domestic violence by carrying its message into one of the most visible strongholds of Thai male culture: a televised Muay Thai fight. At Omnoi Stadium, a real survivor of domestic violence replaced the usual ring girls. Her make-up recreated injuries documented by the police, while the sign she carried reminded spectators that violence belongs in the ring, not in the home. Thousands saw her inside the stadium, and millions more encountered the intervention through the live broadcast.


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