Mosh · Mosh in-house brand studio · Australia · July 2026
Men tend to keep hair loss quiet. Mosh's new ad has a puppet. Former AFL player Mitch Brown hosts a late-night talk show, and his co-host, a puppet of his own regrown mullet, keeps stealing it. Made by Mosh's in-house studio, the series turns the result of treatment into the funniest person in the room.
The Challenge
Many men notice hair loss, worry about it and do nothing. Mosh, an Australian digital health platform for men, wanted to open a conversation they avoid and get them to seek proper advice, fronted by an ambassador who had actually been through it.

What They Did
Brown, a Mosh hair-loss customer since 2024, hosts a late-night talk show across a series of three TVCs. His co-host is Mullet, a custom puppet modelled on Brown's own hair, who repeatedly upstages him. Made by Mosh's in-house brand studio and directed by Yarno Rohling, the series began in July; the latest instalment arrived in October, running on TV and online. The talk show is scripted. Brown's hair-loss story is his own.
Why It Works
In Mosh's ad, the regrown hair gets a personality, a microphone and the better lines, so the benefit is performed on screen. The joke contains the promise: a man so improved he's overshadowed by the result. Brown has been a Mosh customer since 2024, so the puppet is a caricature of something true, and the comedy never has to apologise for the claim.
Creative Deviance: Unexpectedness
Creative Deviance comes from Publicis London's How to Move the World study with Effie and System1, which names five levers that push work away from the safe middle. Mosh gives the hairline its own chat show. The surprise has a purpose: the puppet hogging the spotlight is exactly what Mosh says regrowth does for a man's confidence. Because Brown's mullet was already well known in Australia, the puppet is instantly his, and three TVCs give Mosh time to make it theirs too.
The Tactic
Personify the Product Truth → Personify the Product Benefit
What to Steal
Cast the customer, then give his result the best lines. Brown's story is real, so the comedy can be as silly as it likes without undermining the claim. When your proof is a person, let the proof carry the joke.
The Question That Could Get You There
If the product truth had a personality, how would it behave?
Or, more pointedly: if our customer's result could talk, how would it upstage them?